Here, the focus is on eternal id Manhog, who actually is allowed an epiphany for once. In longer story form, a little of the aforementioned clarity is expended in cryptic plotting which would be more digestible in shorter bursts, which a couple somewhat clumsier-than-usual expository digressions fail to alleviate, but this totally works nonetheless.
If anything, it's a good excuse to re-read always a pleasure and pull more out of it on the second pass. Jul 22, Sam Quixote rated it it was amazing. This is a really difficult book to try to describe to someone - on the surface the story is illustrated in traditional panels in a kind of Crumb-esque style and features no words, it's all pictures.
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But then you come to describe the pictures and falter. A Manhog - a human-like person who nonetheless has pig-like features. A cartoonish cat called Frank and his faithful box-like pets dogs? Two cackling hags who are probably witches but look like dragons and other things. A bad guy called Whim w This is a really difficult book to try to describe to someone - on the surface the story is illustrated in traditional panels in a kind of Crumb-esque style and features no words, it's all pictures.
A bad guy called Whim whose head is shaped like a crescent moon and is constantly smiling in a sinister rictus and experiments on odd looking animals.
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And that's just a handful of the inhabitants. This is my first Jim Woodring so his 20 year long career writing and drawing "Frank" is unknown to me but I enjoyed this book nonetheless. As we watch Manhog bumble around this surreal landscape getting into strange situations and escaping them, you feel like this is a hugely symbolic dream. The kind of story which, if had been produced in medieval times, would almost certainly have a number of conspiracy theories surrounding it as to what it meant and who authored it - a mad monk in league with dark forces?
What does this scene mean? And this? Is there another world lurking beneath ours? Instead it's a creation of Jim Woodring's Unifactor world but you nevertheless feel there are layers here with hidden messages in the odd symbols. Whatever your interpretation of this well produced comic book, you'll definitely remember it long after you put it down.
It's a compelling, mysterious, very strange and wonderful comic book about a weird place and fascinating creatures. If you're a comics adventurer, take a trip to Weathercraft and explore. It's a memorable place. Mar 01, P.
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There's nothing that gets me as jazzed as a good wordless graphic novel. What else could demonstrate the essence of narrative through pictures? Getting closer to getting straight to the signified instead of dealing with the linguistic signifier. I like it so much it makes me silly and prone to pretension. I was looking at Fantagraphics' catalog and saw its listing for this title. Woodring's world, made with woodcut-style black and white lines including some of the best clouds I've seen late There's nothing that gets me as jazzed as a good wordless graphic novel.
Woodring's world, made with woodcut-style black and white lines including some of the best clouds I've seen lately , is both overtly and covertly subversive.
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A lot of the main characters are happily id-driven, and there's an abundance of curvy patterns, weird creatures, and weird creatures made of curvy, fractal patterns. It gave me a constant horrified delight. I must read more. View 1 comment. Dec 02, mwpm rated it it was amazing Shelves: graphic-novels. Surreal in the truest sense of the word. Welcome To The Unifactor Since the early nineties Jim Woodring has been keeping a record of the daily life of Frank, a 'generalized anthropomorph', his cartoonish physiognymy a hybrid: a cat, a chipmunk, and an otter, could, perhaps, be found playing in his genepool.
His tubular limbs and three fingered hands, always hidden by familiar white gloves, betray the part of his genealogy contributed by Disney and Winsor McCay and countless other Master Cartoonists.
Frank and his world, The Unifactor, a Welcome To The Unifactor Since the early nineties Jim Woodring has been keeping a record of the daily life of Frank, a 'generalized anthropomorph', his cartoonish physiognymy a hybrid: a cat, a chipmunk, and an otter, could, perhaps, be found playing in his genepool. Frank and his world, The Unifactor, are essentially psychic real estate located in the dreaming mind of Woodring.
The silent misadventures of Frank, his loyal pet godling Pupshaw, the repulsive and unpredictable Manhog, and diabolical slaver Whim, operate under rules of logic and causality that are understood only vaguely at first. It's as if we are slowly recollecting a childhood trip to a circus or local fair. Woodring is forcing the reader to approach his gorgeously rendered world, shifting from painted candy-colored palaces to forests of undulating black and white tones, as if we were dreaming it, not reading it.
There are very few artists who understand the culture of the sleeping world like Woodring; David Lynch comes close, at times. Fellow cartoonists Charles Burns and Daniel Clowes are his stiffest competition. The comics page is better suited to relating dreams and nightmares than any other medium, including film. The black and white artwork is beautiful, and the story is a dense, baffling adventure that is just as great the second time around.
Woodring followed 'Weathercraft' with 'Congress of the Animals', which is just as highly recommended; both volumes share a matching format and design scheme that is gorgeous.
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Whether working with ink, paint, charcoal or prose, Jim Woodring is one of the world's greatest living artists. Nov 11, Jeff rated it it was amazing. It's been a few years since Jim Woodring has delivered any substantial new content in his Unifactor oeuvre, known best for the anthropomorphic anti-hero Frank. But to my mind, the pig-human hybrid known as Manhog has always been the most intriguing character in this universe, and with Weathercraft , Woodring finally moves Manhog to center stage.
Like so much of Woodring's previous work, Weathercraft is initially baffling and inscrutable, but visually splendid and narratively sophisticated which It's been a few years since Jim Woodring has delivered any substantial new content in his Unifactor oeuvre, known best for the anthropomorphic anti-hero Frank.
https://grupoavigase.com/includes/383/6608-mujer-soltera-df.php Like so much of Woodring's previous work, Weathercraft is initially baffling and inscrutable, but visually splendid and narratively sophisticated which is not the same thing as being easily comprehensible. After a first reading, I can't say for sure what Weathercraft is really all about, but that doesn't stop me from appreciating it as a tour de force of comics art. When Jim Woodring is working at the top of his game, he's one of the most important creators in the world of comics today, and with Weathercraft , he is very definitely working at the top of his game.
Jan 14, Ian Hrabe rated it really liked it. I don't know what an acid trip is like, but if I DID ever go on an acid trip which, given my acute paranoia, would never, ever happen I would hope it would resemble Jim Woodring comics. Or I wouldn't. Weathercraft was kind of horrifying, but in a wonderful way. Then again, any time Pupshaw is in a panel I squeal with glee and go "Look Jenny! He's angry! He's sad! He's eating this dude! And, to extend that double meaning a little further, a trip I'll need to be taking again because seriously, what the hell was up with the demons and maybe something about the fabric of reality I don't even know.
May 02, Joe Young rated it really liked it. Manhog is a disgusting pig-man hybrid, intent only on satisfying his base desires. During his hedonistic quest Manhog is captured and experimented upon by the evil Whim, a stick-thin, mask-faced demon. In enduring the malevolent punishments Manhog achieves spiritual enlightenment, but his newfound peace is short-lived as he must undertake a desperate quest to save the life of his one-time nemesis Frank and thwart the ascention of the evil Whim.
The story is even stranger than the synopsis makes it out to be, and is entirely wordless. The art of Jim Woodring is a surreal, multi-layered fever dream with its own internal logic. Highly recommended. Sep 06, Peter Derk rated it did not like it Shelves: reviewed. I guess most people who read a Jim Woodring book know what they're getting into.
I'd read a couple of his short comics before, but picked up this one based on a recommendation. To me, it was really trippy, which is to say that, like tripping, it made me feel a sort of uncomfortable boredom that lasted longer than I'd like. Imagine: A pig man unzips a zipper on a tree and pokes his head in to see a plant boy lobotomizing an old radio.
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