Along with these ideas, there are other things that can be explored in relation to Rowlandson and Knight. Another area worth looking at would be the ways that Rowlandson and Knight each use food as class markers.
Elizabeth House Trist
Rowlandson, due to her captivity, acquiesces to eating food she would not normally eat. Knight, when she encounters food that disgusts her, she simply refuses and leaves. In both texts, food serves as a social marker of class and rank.
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Knight, Sarah Kemble. The Journal of Madam Knight. William L. Andrews, Sargent Bush, Jr. Madison: University of Wisconsin Press, Rowlandson, Mary.
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Notify me of new posts via email. Search for:. These are brief thoughts. Is it from the people that you encounter in your life that you get this wide variety of ideas or is it something else?
I love origin stories and just how things come to be and I think I never want to do the same thing quite the same way twice. What is like for you to see your work being featured all over the country at such a time like this? I think from a logistical standpoint, I work in theater, which is working with other people, and so unlike a novelist or a poet, in order to do my work, I actually need the trained live bodies onstage to do the work with me.
What is the origin story of The Great Leap and how was it for you writing it? My father grew up in San Francisco—he was born and raised here—and he played a lot of pickup games in the neighborhood, in the Chinese American leagues. There used to be a very strong—probably still is—Chinese American basketball presence.
He was never good enough where he was going to be paid to play the game. He was never going to the NBA, but he was pretty good for a neighborhood pickup game, and he was good enough that he got to travel. In , he and his teammates, who were always Chinese American kids from San Francisco, got to travel to China to play a series of exhibition games against the best teams in China. That was a story I had always known growing up and it had always captured my attention.
When I got commissioned by Denver Center to write a play for them, this was the idea that I wanted to explore more. My dad and his teammates were one of the first groups of Americans to see what China looked like coming out of the height of the Cultural Revolution.
That was the jumping off point.
Sarah Kemble Knight and Spirituality
My father played it, but I am not athletic. The rest are either the coaches or spectators. So how do you put that feel of basketball onstage without necessarily just recreating a game? Can you imagine how hard that is? Your play, King of the Yees, just played in San Francisco.
Can you talk a little bit about what it was like writing that play, particularly the autobiographical elements of it? That piece is about navigating your relationship with your parents as an adult and trying to capture family stories. Do you have any other projects that you are currently working on that you can talk about? The first thing the Communists did was kill all the artists.
They did such a good job at doing that that when the Khmer Rouge were kicked out of power, their kids never knew that their mom was a lead singer in a rock band.
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